In practice, jammers and songwriters/producers/engineers have broadly similar needs, while ensembles tend to have the more unique requirements. Producers, songwriters and engineers (recording collabs).Most musicians seeking remote collaboration tools fall into one of three categories: Choirs have almost entirely different requirements to mastering engineers, for example, and so the platform that works for one may not work for another. Categories of collaboration.įirstly, we need to understand the different needs of different musicians. Let’s take a look at some exceptional options for remote music collaboration. Necessity really is the mother of invention. As in so many other sectors, humankind has stepped up to the challenge of Covid and refused to be beaten. Yet, the technology hasn’t always allowed for satisfying remote music collaboration. Indeed, with so many people feeling isolated, it’s never been more important to connect with each other. The download and print page provides access to the Toolkit in PDF format (English only) and to the Excel files for calculating releases (in the six UN languages).With much of the world forced to cease socialising as normal, many musicians have been desperately searching for ways to keep the music going from home. In order to use this function, the web browser must be configured accordingly.Ī search tool is also provided to facilitate access to targeted information. These are accessible by moving the cursor over portions of text highlighted accordingly. In addition to hyperlinks referencing internal or external information sources, pop-up windows provide short additional explanatory material (corresponding to footnotes in a hard-copy document). It delivers the Toolkit’s content in an interactive and dynamic manner, and may be explored via the menus provided on the top and/or bottom of each page to directly access the various chapters and subchapters, and through the next and previous arrows at the bottom of each page. The electronic version of the Toolkit has been developed to increase the availability, portability and storage of information. Part III also includes example inventories for each source group illustrating the process of inventory development, update and revision, and providing useful insights into estimating activity rates and/or applying expert judgment for a number of source categories.Īccess Toolkit annexes and example inventories Part III of the Toolkit for Identification and Quantification of Releases of Dioxins, Furans and Other Unintentional POPs includes annexes containing detailed technical complementary information on the derivation of dioxin emission factors for the ten source groups, along with emission factors for other unintentional POPs. Part II of the Toolkit for Identification and Quantification of Releases of Dioxins, Furans and Other Unintentional POPs includes information on default emission factors for source categories grouped in ten source groups within the Toolkit, the levels of confidence assigned to each emission factor value, guidance on estimating activity rates, classifying sources and assigning the appropriate emission factors.įor the purpose of the PCDD/PCDF inventory development, Parts I and II of the Toolkit provide all necessary guidance. Access information on Toolkit source categories and groups
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |